Based on museum audio guide. The number of each painting corresponds to the actual item number in the museum.
200. Time is a River without Bank
Up till now I still think of this painting by Chagall in his early period as the most poetic and romantic one in this exhibition. Perhaps this is also why the museum placed it at the front of the hall. In this painting, we see a wide and peaceful river which of course represents Chagall’s hometown; while the flying fish is his father. Chagall himself and his wife, Bella, which are the only two “live” figures in the picture, sit at the corner, holding each other and cherishing the moment being together. This painting is about time, memory and loss, as said by the commentary, which I cannot agree more. Time is like a river, which is always moving and never stops. The grandfather clock in the middle, which is a more obvious symbol of time, in my opinion, is more of a implication of the objectiveness about time and we as human beings have to sit aside to either embrace or withstand the memory and loss that the times brings to us.
201. The Lovers
To understand this painting, it is important to know that bouquet was rare in Russia but plenty in Paris back in 1930s. This helps us understand the inner passion and spiritual energy that drive Chagall to grow and grows his flowers to essentially the whole canvas. The background color of this image is similar to the last one, and also from the lower right-hand side we see the houses the sheep representing Chagall’s hometown and his nostalgia while living in Paris and enjoying his sweet life at the same time. The contrast between these two color palettes and the emotions behind them make this bouquet look so special and joyful.
202. Untitled (Old Man with Beard)
203. Study for the Revolution
205. The Fall of the Angel
210. Descent from the Cross
211. Christ in the Night
212. The Flayed Ox
213. Soul of the City
214. The Wedding Candles